Chlöe Bailey Faces Lawsuit Over Uncredited Songwriting Contributions on “Trouble in Paradise”
Chlöe Bailey is currently embroiled in a legal dispute following allegations from Grammy-nominated songwriter-producer Melvin Moore, professionally known as OneInThe4Rest. The lawsuit, filed on February 20, claims that Bailey, along with her labels Columbia Records and Parkwood Entertainment, engaged in deceptive business practices regarding the release of her sophomore album, Trouble in Paradise.
Allegations of Unpaid Contributions
According to the complaint, Moore asserts that he was not compensated for his creative work on three key tracks from the album: “Favorite,” “Same Lingerie,” and “Might as Well.” Moore alleges that Bailey and her team used his personal narratives and lyrics—crafted from his own life experiences—without obtaining proper permission or crediting him appropriately. The suit further contends that the parties failed to negotiate in good faith prior to the album’s release, a claim that has raised significant concerns about industry practices. Moore’s legal team is seeking statutory damages of up to $150,000 per infringement, with an additional $5 million in punitive damages per song.
A High-Profile Songwriter’s History
Melvin Moore has an impressive track record, having collaborated with a range of major artists including Usher, French Montana, Chris Brown, 2 Chainz, John Legend, and Drake. His cease-and-desist letter demands immediate payment of $10,000 and calls for an agreement on royalties—specifically a 2% allocation per master recording along with further publishing rights. In addition to financial compensation, the legal action requests that the disputed songs be removed from streaming services, websites, and social media platforms, denying Bailey and Columbia any rights to the material until the issues are resolved.
Chlöe Bailey’s Rising Stardom and Collaborative Spirit
Trouble in Paradise marks a significant milestone in Bailey’s career—a 16-track collection that features standout hits such as “FYS” and “Boy Bye.” The album, celebrated for its contemporary R&B vibes, includes guest appearances from her sister Halle Bailey, Ty Dolla Sign, Jeremih, and several other notable artists. Despite the current legal challenges, Bailey’s history of successful collaborations underscores her influential presence in the music industry.
Artistic Influences and Personal Phases
Beyond the studio, Bailey’s artistic journey is marked by her diverse influences. Reflecting on her evolving musical tastes, she revealed, “About eight years ago, I went through a whole Kendrick phase. I’ve had phases, right? I had a Frank Ocean phase, an FKA twigs phase, a Tune-Yards phase—and a Kendrick Lamar phase. During that time, I was convinced I was going to end up with him.” She added, “I’ve been a die-hard Kendrick fan from day one. I’m glad more people are discovering his brilliance, but I’ve been here all along.” This candid insight not only highlights her deep-rooted appreciation for influential artists but also frames her creative identity as one that is continuously evolving.
Industry Impact and Ongoing Developments
The unfolding lawsuit adds another layer to the complex narrative of artist-label relationships and intellectual property rights in today’s music industry. As more fans and industry watchers keep a close eye on the developments, the case could have broader implications for how contributions are credited and compensated. Meanwhile, the buzz surrounding Bailey remains high, with recent reports even linking her to public appearances with Burna Boy, further fueling media speculation.
As the legal proceedings progress, both industry insiders and fans will be watching closely to see how this dispute impacts not only Bailey’s current projects but also future collaborations and releases.
